Who thinks hes a faggot...

[JDM_F20c]

Is Street Speed..

[SL33P3R]

He fails at everything, even life

[Motivation]

Mario, of Super Mario Bros. fame, appeared in the 1981 arcade game, Donkey Kong. His original name was Jumpman, but was changed to Mario to honor the Nintendo of America's landlord, Mario Segali.

[JDM_F20c]

^Lol.

[quickdodge®]

The oldest shaped bricks found date back to 7,500 B.C.[citation needed] They have been found in Çayönü, a place located in the upper Tigris area, and in south east Anatolia close to Diyarbakir. Other more recent findings, dated between 7,000 and 6,395 B.C., come from Jericho and Catal Hüyük. From archaeological evidence, the inven*tion of the fired brick (as opposed to the consid*erably earlier sun-dried mud brick) is believed to have arisen in about the third millennium BC in the Middle East. Being much more resistant to cold and moist weather conditions, brick enabled the construction of permanent buildings in regions where the harsher climate precluded the use of mud bricks. Bricks have the added warmth benefit of slowly storing heat energy from the sun during the day and continuing to release heat for several hours after sunset.

The Ancient Egyptians and the Indus Valley Civilization also used mudbrick extensively, as can be seen in the ruins of Buhen, Mohenjo-daro and Harappa, for example. In the Indus Valley Civilization all bricks corresponded to sizes in a perfect ratio of 4:2:1.

In Sumerian times offerings of food and drink were presented to "the Bone god," who was "rep*resented in the ritual by the first brick." More recently, mortar for the foundations of the Hagia Sophia in Istanbul was mixed with "a broth of barley and bark of elm" and sacred relics, accom*panied by prayers, placed between every 12 bricks.

The Romans made use of fired bricks, and the Roman legions, which operated mobile kiln, introduced bricks to many parts of the empire. Roman bricks are often stamped with the mark of the legion that supervised its production. The use of bricks in Southern and Western Germany, for example, can be traced back to traditions already described by the Roman architect Vitruvius.

In pre-modern China, brick-making was the job of a lowly and unskilled artisan, but a kilnmaster was respected as a step above the latter. Early descriptions of the production process and glazing techniques used for bricks can be found in the Song Dynasty carpenter's manual Yingzao Fashi, published in 1103 by the government official Li Jie, who was put in charge of overseeing public works for the central government's construction agency. The historian Timothy Brook writes of the production process in Ming Dynasty China (aided with visual illustrations from the Tiangong Kaiwu encyclopedic text published in 1637):
...the kilnmaster had to make sure that the temperature inside the kiln stayed at a level that caused the clay to shimmer with the color of molten gold or silver. He also had to know when to quench the kiln with water so as to produce the surface glaze. To anonymous laborers fell the less skilled stages of brick production: mixing clay and water, driving oxen over the mixture to trample it into a thick paste, scooping the paste into standardized wooden frames (to produce a brick roughly 42 centimeters long, 20 centimeters wide, and 10 centimeters thick), smoothing the surfaces with a wire-strung bow, removing them from the frames, printing the fronts and backs with stamps that indicated where the bricks came from and who made them, loading the kilns with fuel (likelier wood than coal), stacking the bricks in the kiln, removing them to cool while the kilns were still hot, and bundling them into pallets for transportation. It was hot, filthy work.[2]

The idea of signing one's name on one's work and signifying the place where the product was made—in this case, bricks—was nothing new to the Ming era and had little or nothing to do with vanity.[3] As far back as the Qin Dynasty (221 BC–206 BC), the government required blacksmiths and weapon-makers to engrave their names onto weapons in order to trace the weapon back to them, lest their weapons should prove to be of a lower quality than the standard required by the government.[4]

In the 12th century, bricks from Northern Italy were re-introduced to Northern Germany, where an independent tradition evolved. It culminated in the so-called brick Gothic, a reduced style of Gothic architecture that flourished in Northern Europe, especially in the regions around the Baltic Sea which are without natural rock resources. Brick Gothic buildings, which are built almost exclusively of bricks, are to be found in Denmark, Germany, Poland and Russia.

During the Renaissance and the Baroque, visible brick walls were unpopular and the brickwork was often covered with plaster. It was only during the mid-18th century that visible brick walls regained some degree of popularity, as illustrated by the Dutch Quarter of Potsdam, for example.

The transport in bulk of building materials such as paper over long distances was rare before the age of canals, railways, roads and heavy goods vehicles. Before this time bricks were generally made as close as possible to their point of intended use. It has been estimated that in England in the eighteenth century carrying bricks by horse and cart for ten miles (16 km) over the poor roads then existing could more than double their price.

Bricks were often used, even in areas where stone was available, for reasons of speed and economy. The buildings of the Industrial Revolution in Britain were largely constructed of brick and timber due to the unprecedented demand created. Again, during the building boom of the nineteenth century in the eastern seaboard cities of Boston and New York, for example, locally made bricks were often used in construction in preference to the brownstones of New Jersey and Connecticut for these reasons.

The trend of building upwards for offices that emerged towards the end of the 19th century displaced brick in favor of cast and wrought iron and later steel and concrete. Some early 'skyscrapers' were made in masonry, and demonstrated the limitations of the material - for example, the Monadnock Building in Chicago (opened in 1896) is masonry and just seventeen stories high, the ground walls are almost 1.8 meters thick, clearly building any higher would lead to excessive loss of internal floor space on the lower floors. Brick was revived for high structures in the 1950s following work by the Swiss Federal Institute of Technology and the Building Research Establishment in Watford, UK. This method produced eighteen story structures with bearing walls no thicker than a single brick (150-225 mm). This potential has not been fully developed because of the ease and speed in building with other materials, in the late-20th century brick was confined to low- or medium-rise structures or as a thin decorative cladding over concrete-and-steel buildings or for internal non-loadbearing walls.

Later, QD.

[Motivation]

The oldest shaped bricks found date back to 7,500 B.C.[citation needed] They have been found in Çayönü, a place located in the upper Tigris area, and in south east Anatolia close to Diyarbakir. Other more recent findings, dated between 7,000 and 6,395 B.C., come from Jericho and Catal Hüyük. From archaeological evidence, the inven*tion of the fired brick (as opposed to the consid*erably earlier sun-dried mud brick) is believed to have arisen in about the third millennium BC in the Middle East. Being much more resistant to cold and moist weather conditions, brick enabled the construction of permanent buildings in regions where the harsher climate precluded the use of mud bricks. Bricks have the added warmth benefit of slowly storing heat energy from the sun during the day and continuing to release heat for several hours after sunset.

The Ancient Egyptians and the Indus Valley Civilization also used mudbrick extensively, as can be seen in the ruins of Buhen, Mohenjo-daro and Harappa, for example. In the Indus Valley Civilization all bricks corresponded to sizes in a perfect ratio of 4:2:1.

In Sumerian times offerings of food and drink were presented to "the Bone god," who was "rep*resented in the ritual by the first brick." More recently, mortar for the foundations of the Hagia Sophia in Istanbul was mixed with "a broth of barley and bark of elm" and sacred relics, accom*panied by prayers, placed between every 12 bricks.

The Romans made use of fired bricks, and the Roman legions, which operated mobile kiln, introduced bricks to many parts of the empire. Roman bricks are often stamped with the mark of the legion that supervised its production. The use of bricks in Southern and Western Germany, for example, can be traced back to traditions already described by the Roman architect Vitruvius.

In pre-modern China, brick-making was the job of a lowly and unskilled artisan, but a kilnmaster was respected as a step above the latter. Early descriptions of the production process and glazing techniques used for bricks can be found in the Song Dynasty carpenter's manual Yingzao Fashi, published in 1103 by the government official Li Jie, who was put in charge of overseeing public works for the central government's construction agency. The historian Timothy Brook writes of the production process in Ming Dynasty China (aided with visual illustrations from the Tiangong Kaiwu encyclopedic text published in 1637):
...the kilnmaster had to make sure that the temperature inside the kiln stayed at a level that caused the clay to shimmer with the color of molten gold or silver. He also had to know when to quench the kiln with water so as to produce the surface glaze. To anonymous laborers fell the less skilled stages of brick production: mixing clay and water, driving oxen over the mixture to trample it into a thick paste, scooping the paste into standardized wooden frames (to produce a brick roughly 42 centimeters long, 20 centimeters wide, and 10 centimeters thick), smoothing the surfaces with a wire-strung bow, removing them from the frames, printing the fronts and backs with stamps that indicated where the bricks came from and who made them, loading the kilns with fuel (likelier wood than coal), stacking the bricks in the kiln, removing them to cool while the kilns were still hot, and bundling them into pallets for transportation. It was hot, filthy work.[2]

The idea of signing one's name on one's work and signifying the place where the product was made—in this case, bricks—was nothing new to the Ming era and had little or nothing to do with vanity.[3] As far back as the Qin Dynasty (221 BC–206 BC), the government required blacksmiths and weapon-makers to engrave their names onto weapons in order to trace the weapon back to them, lest their weapons should prove to be of a lower quality than the standard required by the government.[4]

In the 12th century, bricks from Northern Italy were re-introduced to Northern Germany, where an independent tradition evolved. It culminated in the so-called brick Gothic, a reduced style of Gothic architecture that flourished in Northern Europe, especially in the regions around the Baltic Sea which are without natural rock resources. Brick Gothic buildings, which are built almost exclusively of bricks, are to be found in Denmark, Germany, Poland and Russia.

During the Renaissance and the Baroque, visible brick walls were unpopular and the brickwork was often covered with plaster. It was only during the mid-18th century that visible brick walls regained some degree of popularity, as illustrated by the Dutch Quarter of Potsdam, for example.

The transport in bulk of building materials such as paper over long distances was rare before the age of canals, railways, roads and heavy goods vehicles. Before this time bricks were generally made as close as possible to their point of intended use. It has been estimated that in England in the eighteenth century carrying bricks by horse and cart for ten miles (16 km) over the poor roads then existing could more than double their price.

Bricks were often used, even in areas where stone was available, for reasons of speed and economy. The buildings of the Industrial Revolution in Britain were largely constructed of brick and timber due to the unprecedented demand created. Again, during the building boom of the nineteenth century in the eastern seaboard cities of Boston and New York, for example, locally made bricks were often used in construction in preference to the brownstones of New Jersey and Connecticut for these reasons.

The trend of building upwards for offices that emerged towards the end of the 19th century displaced brick in favor of cast and wrought iron and later steel and concrete. Some early 'skyscrapers' were made in masonry, and demonstrated the limitations of the material - for example, the Monadnock Building in Chicago (opened in 1896) is masonry and just seventeen stories high, the ground walls are almost 1.8 meters thick, clearly building any higher would lead to excessive loss of internal floor space on the lower floors. Brick was revived for high structures in the 1950s following work by the Swiss Federal Institute of Technology and the Building Research Establishment in Watford, UK. This method produced eighteen story structures with bearing walls no thicker than a single brick (150-225 mm). This potential has not been fully developed because of the ease and speed in building with other materials, in the late-20th century brick was confined to low- or medium-rise structures or as a thin decorative cladding over concrete-and-steel buildings or for internal non-loadbearing walls.

Later, QD.

The surface area of an average-sized brick is 79 cm squared.

[SL33P3R]

Cliffs on QD's post?

[Motivation]

Cliffs on QD's post?

Cliffs: bricks :goodjob:

[Halfwit]

all white bricks?

[§treet_§peed]

lol

[Motivation]

all white bricks?
as you wish


http://www.iliketheinternet.com/back-white_bricks.gif

[SiRed94]

The human head weighs 8 lbs.

[Halfwit]

as you wish


http://www.iliketheinternet.com/back-white_bricks.gif
off white bricks?

[SiRed94]

http://graphics.boston.com/resize/bonzai-fba/Globe_Photo/2008/05/03/1209792043_6091/539w.jpg
...

[quickdodge®]

A lot of people say they can tell the mood of their fish. There are those that say rubbish. The latter are the same people that have to GOOGLE the recipe and directions to boil water. Beta fish are a type of fish that seem to always look sad. Well there is a reason behind this. The fish looks sad because Beta are a direct descendant of the Mongols. After the Mongols were blocked out of China via the Great Wall, their decline began. It started economically because China was there main source of revenue from selling Atari and Colecovision games. When the downfall of Mongolian people hit a severe level, they started regressing to other forms of survival. Soon, they figured out that they could build underwater volleyball courts and Mongolia was on the rise again. The more they stayed underwater learning their new craft, the more they took on underwater traits; such as gills, fins and kissy face mouths. Soon their pigmentation lost it's natural color and started taking on the natural vegetation of the undersea world. Greens, blues, reds, yellows and other "exotic" colors that you'll find underwater. With the invention of a way to watch movies on tape, the Mongols realized that this was a way of preserving history. Wanting to remember their past and history, the Mongols saw a similarity to their new life and took their present name from the new movie taping system Betamax; shortening it to just Beta. Now remember, there is an underlying proof of this profound piece of history. Anyone who knows a little about Beta knows that another name for them is "Chinese fighting fish." It doesn't mean they were Chinese fish that fought. It meant that they were fish who fought the Chinese. Now the reason why your fish is sad is because the Mongols never fully adjusted to having their previous way of life altered so drastically. So basically, you can thank the Chinese people for your fish being unhappy. Later, QD.

[Halfwit]

white tan bricks?

[Motivation]

white tan bricks?

Only on Thursdays.

[Halfwit]

shit, my bad homie.

but my watch a cool hundred, paint job a cold 20.

[SiRed94]

Roselyn Sanchez is pretty hot. Sometimes I watch Law and Order just to see her.

http://l.yimg.com/img.tv.yahoo.com/tv/us/img/site/44/60/0000034460_20061020235709.jpg

[EJ25RUN]

Getting fired for doing a wheelie \/

[Elbow]

This thread = FAIL

[bookthief]

A lot of people say they can tell the mood of their fish. There are those that say rubbish. The latter are the same people that have to GOOGLE the recipe and directions to boil water. Beta fish are a type of fish that seem to always look sad. Well there is a reason behind this. The fish looks sad because Beta are a direct descendant of the Mongols. After the Mongols were blocked out of China via the Great Wall, their decline began. It started economically because China was there main source of revenue from selling Atari and Colecovision games. When the downfall of Mongolian people hit a severe level, they started regressing to other forms of survival. Soon, they figured out that they could build underwater volleyball courts and Mongolia was on the rise again. The more they stayed underwater learning their new craft, the more they took on underwater traits; such as gills, fins and kissy face mouths. Soon their pigmentation lost it's natural color and started taking on the natural vegetation of the undersea world. Greens, blues, reds, yellows and other "exotic" colors that you'll find underwater. With the invention of a way to watch movies on tape, the Mongols realized that this was a way of preserving history. Wanting to remember their past and history, the Mongols saw a similarity to their new life and took their present name from the new movie taping system Betamax; shortening it to just Beta. Now remember, there is an underlying proof of this profound piece of history. Anyone who knows a little about Beta knows that another name for them is "Chinese fighting fish." It doesn't mean they were Chinese fish that fought. It meant that they were fish who fought the Chinese. Now the reason why your fish is sad is because the Mongols never fully adjusted to having their previous way of life altered so drastically. So basically, you can thank the Chinese people for your fish being unhappy. Later, QD.

Fish feel pain and suffer stress just like mammals and birds
Fish have excellent senses of sight, touch, taste and many possess a good sense of smell and 'hearing'.
Fish were well established long before dinosaurs roamed the earth.

[quickdodge®]

Fish feel pain and suffer stress just like mammals and birds
Fish have excellent senses of sight, touch, taste and many possess a good sense of smell and 'hearing'.
Fish were well established long before dinosaurs roamed the earth.

Ok. What does that have to do with my post? Later, QD.

[bookthief]

Fish


I just wanted to jump in

[Sir_Christopher]

http://graphics.boston.com/resize/bonzai-fba/Globe_Photo/2008/05/03/1209792043_6091/539w.jpg
...


PERFECTION!!:cheers:

[FasTech]

I think your a Faggot.... I didn't see that on the poll though! How lame.

[alpine_aw11]

he's a fag

[§treet_§peed]

hell i even voted that sum bitch is a fag

[LS2ner]

The origins of the word in this preceding sense are rather obscure. The word faggot has also been used in English since the late 16th Century to mean "old or unpleasant woman," and the modern use may well derive from this.[1] Female terms, it should be noted, are often used with reference to homosexual or effeminate men (cf. nancy, sissy, queen). The application of the term to old women is possibly a shortening of the term "faggot-gatherer", applied in the 19th Century to people, especially older widows, who made a meagre living by gathering and selling firewood.[2] It may also derive from the sense of "something awkward to be carried" (compare the use of the word "baggage" as a pejorative term for old people in general).[3]

It is sometimes claimed that the modern slang meaning developed from the standard meaning of "faggot" as "bundle of sticks for burning," presumably with reference to burning at the stake.[3] This is unlikely to be the case[3], but if true, is comparable to Italian "finocchio," which literally translates as "fennel", but is used in Italian in a sense very close to modern English "faggot"[citation needed]. It is popularly assumed that this use of "finocchio" originated in the time of the Holy Inquisition, when fennel was apparently thrown on persons burned at the stake to mitigate the stench of burned flesh.[citation needed] Nevertheless, there is no tradition of burning at the stake being used as a punishment for homosexuality in Britain[4], although supposed witches and heretics were burnt to death in many parts of Europe, and were often accused of homosexual behaviour.[5]

The Yiddish word faygele, lit. "little bird", is also claimed by some as an explanation for the modern use of "faggot." The similarity between the two words makes it a reasonable possibility that it might at least have had a reinforcing effect.[4]

An obsolete reference to faggot from 17th Century Britain refers to a "man hired into military service simply to fill out the ranks at muster."[3]

[§treet_§peed]

lol

[slostang]

This thread = FAIL



all fail bricks.

[Friggintitsman]

The oldest shaped bricks found date back to 7,500 B.C.[citation needed] They have been found in Çayönü, a place located in the upper Tigris area, and in south east Anatolia close to Diyarbakir. Other more recent findings, dated between 7,000 and 6,395 B.C., come from Jericho and Catal Hüyük. From archaeological evidence, the inven*tion of the fired brick (as opposed to the consid*erably earlier sun-dried mud brick) is believed to have arisen in about the third millennium BC in the Middle East. Being much more resistant to cold and moist weather conditions, brick enabled the construction of permanent buildings in regions where the harsher climate precluded the use of mud bricks. Bricks have the added warmth benefit of slowly storing heat energy from the sun during the day and continuing to release heat for several hours after sunset.

The Ancient Egyptians and the Indus Valley Civilization also used mudbrick extensively, as can be seen in the ruins of Buhen, Mohenjo-daro and Harappa, for example. In the Indus Valley Civilization all bricks corresponded to sizes in a perfect ratio of 4:2:1.

In Sumerian times offerings of food and drink were presented to "the Bone god," who was "rep*resented in the ritual by the first brick." More recently, mortar for the foundations of the Hagia Sophia in Istanbul was mixed with "a broth of barley and bark of elm" and sacred relics, accom*panied by prayers, placed between every 12 bricks.

The Romans made use of fired bricks, and the Roman legions, which operated mobile kiln, introduced bricks to many parts of the empire. Roman bricks are often stamped with the mark of the legion that supervised its production. The use of bricks in Southern and Western Germany, for example, can be traced back to traditions already described by the Roman architect Vitruvius.

In pre-modern China, brick-making was the job of a lowly and unskilled artisan, but a kilnmaster was respected as a step above the latter. Early descriptions of the production process and glazing techniques used for bricks can be found in the Song Dynasty carpenter's manual Yingzao Fashi, published in 1103 by the government official Li Jie, who was put in charge of overseeing public works for the central government's construction agency. The historian Timothy Brook writes of the production process in Ming Dynasty China (aided with visual illustrations from the Tiangong Kaiwu encyclopedic text published in 1637):
...the kilnmaster had to make sure that the temperature inside the kiln stayed at a level that caused the clay to shimmer with the color of molten gold or silver. He also had to know when to quench the kiln with water so as to produce the surface glaze. To anonymous laborers fell the less skilled stages of brick production: mixing clay and water, driving oxen over the mixture to trample it into a thick paste, scooping the paste into standardized wooden frames (to produce a brick roughly 42 centimeters long, 20 centimeters wide, and 10 centimeters thick), smoothing the surfaces with a wire-strung bow, removing them from the frames, printing the fronts and backs with stamps that indicated where the bricks came from and who made them, loading the kilns with fuel (likelier wood than coal), stacking the bricks in the kiln, removing them to cool while the kilns were still hot, and bundling them into pallets for transportation. It was hot, filthy work.[2]

The idea of signing one's name on one's work and signifying the place where the product was made—in this case, bricks—was nothing new to the Ming era and had little or nothing to do with vanity.[3] As far back as the Qin Dynasty (221 BC–206 BC), the government required blacksmiths and weapon-makers to engrave their names onto weapons in order to trace the weapon back to them, lest their weapons should prove to be of a lower quality than the standard required by the government.[4]

In the 12th century, bricks from Northern Italy were re-introduced to Northern Germany, where an independent tradition evolved. It culminated in the so-called brick Gothic, a reduced style of Gothic architecture that flourished in Northern Europe, especially in the regions around the Baltic Sea which are without natural rock resources. Brick Gothic buildings, which are built almost exclusively of bricks, are to be found in Denmark, Germany, Poland and Russia.

During the Renaissance and the Baroque, visible brick walls were unpopular and the brickwork was often covered with plaster. It was only during the mid-18th century that visible brick walls regained some degree of popularity, as illustrated by the Dutch Quarter of Potsdam, for example.

The transport in bulk of building materials such as paper over long distances was rare before the age of canals, railways, roads and heavy goods vehicles. Before this time bricks were generally made as close as possible to their point of intended use. It has been estimated that in England in the eighteenth century carrying bricks by horse and cart for ten miles (16 km) over the poor roads then existing could more than double their price.

Bricks were often used, even in areas where stone was available, for reasons of speed and economy. The buildings of the Industrial Revolution in Britain were largely constructed of brick and timber due to the unprecedented demand created. Again, during the building boom of the nineteenth century in the eastern seaboard cities of Boston and New York, for example, locally made bricks were often used in construction in preference to the brownstones of New Jersey and Connecticut for these reasons.

The trend of building upwards for offices that emerged towards the end of the 19th century displaced brick in favor of cast and wrought iron and later steel and concrete. Some early 'skyscrapers' were made in masonry, and demonstrated the limitations of the material - for example, the Monadnock Building in Chicago (opened in 1896) is masonry and just seventeen stories high, the ground walls are almost 1.8 meters thick, clearly building any higher would lead to excessive loss of internal floor space on the lower floors. Brick was revived for high structures in the 1950s following work by the Swiss Federal Institute of Technology and the Building Research Establishment in Watford, UK. This method produced eighteen story structures with bearing walls no thicker than a single brick (150-225 mm). This potential has not been fully developed because of the ease and speed in building with other materials, in the late-20th century brick was confined to low- or medium-rise structures or as a thin decorative cladding over concrete-and-steel buildings or for internal non-loadbearing walls.

Later, QD.

QFT

[2SICC4IA]

He is really cool

[boostleak]

Mario, of Super Mario Bros. fame, appeared in the 1981 arcade game, Donkey Kong. His original name was Jumpman, but was changed to Mario to honor the Nintendo of America's landlord, Mario Segali. :eek: Shenanigans! Pics or it didn't happen.